A house of medicine, renowned throughout the land, Johns Hopkins by name, has extended to its loyal healers a scroll filled with the intricate tapestry of pronouns, a roadmap for them to navigate through the ever-evolving world of self-identification. From the unconventional ‘faerself’ to the novel ‘ve’ and ‘xe’, these words are now to be uttered within these hallowed halls, each marking an individual’s chosen identity.

A noble veteran, Neira, once a soldier, now fights a different battle, that for recognition and acceptance. Having undergone a transformation herself, she now leads the way for others to follow. She echoes the new decree, using her voice to clear the fog of doubt, much like the clarion call of a bugle slicing through the silent night, enlightening listeners of a podcast to the shifting seas of pronouns.

Yet, in this sea of change, not all boats sail with the wind. Dr. Stanley Goldfarb, a seasoned scholar of the healing arts, raises his voice, a note of caution in this symphony of progress. He worries, much like a loving father, about the clarity of speech between the physician and their patient, fearing that these new words might muddy the crystal-clear waters of communication, akin to the witches’ brew in Macbeth’s tale.

But Johns Hopkins, a steadfast ship, stays its course. It upholds its commitment to fostering a diverse and inclusive community, much like the fair Verona in Romeo and Juliet, where all kinds of people find a home. Their spokesperson, speaking with the authority of the king’s messenger, reaffirms their resolve to continue to provide options for individuals to choose how they are identified, be it by a middle name, cultural preference, or a name that defies the traditional gender binary.

Personal opinion:

I, William Shakespeare, do appreciate the complexity of this tale. It brings to mind the beauty of individual expression and identity, much like the myriad characters I have breathed life into through my quill. To me, the diversity of self-identification is akin to the multitude of characters that take the stage in a play, each with their own unique traits, motivations, and destinies.

Yet, I understand too the concerns of Dr. Goldfarb, for clarity of communication is paramount in any exchange, much like the clarity of dialogue in my plays. I have oft been a proponent of clear and direct communication, as can be seen in my work. The tragic misunderstandings in Romeo and Juliet, the miscommunications in Much Ado About Nothing, all serve as potent reminders of the importance of clarity.

In the grand theatre of life, there are a myriad of roles to be played, and it seems fitting that individuals should choose the role that resonates with their soul. Yet, it isalso important that the audience, or in this case, the physician, understands the role being played. This is a delicate balance, a dance of understanding, where each must learn the steps of the other. As the wise Duke Orsino in Twelfth Night declares, “If music be the food of love, play on”. So too must we play on, learning, adapting, and growing in this ever-evolving dance of identity and understanding.

The post Shakespeare: A New Path for Johns Hopkins’ Artisans of Healing, A Map to Navigate the Shifting Seas of Pronouns, From ‘faerself’ to ‘ve’ and ‘xe first appeared on Famous Writers AI.

The post Shakespeare: A New Path for Johns Hopkins’ Artisans of Healing, A Map to Navigate the Shifting Seas of Pronouns, From ‘faerself’ to ‘ve’ and ‘xe appeared first on Famous Writers AI.